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Leaders
without vision
Aly Zaker
Quite a few days ago a retrospective
of works by Satyajit Ray was being held in Dhaka. A friend
of a Minister in our government suggested to the Minister
that he should see some of Ray's films. “Why?” asked the
Minister. His friend's reply was predictable. He said that
the films were pieces of art and it would enrich the cultural
repertoire of the Minister. The Minister took the advice
of his friend and saw the famous work of Ray “Pather Panchali”,
the film that earned maximum number of awards and accolades
for Ray.
Subsequently, when he met his friend the
Minister said, “I do not understand art or culture, but
where was art in this picture? It was wrapped from top to
toe with poverty.”
Now there are two issues here, a) the confession
and b) the comment. The confession was indeed frank; although
naïve; and the comment, illiterate. The confession
was naïve because we often use excuses like “I do not
know” as a defence against comments that are preposterous.
If you do not know you have no right to comment, period.
And if you venture to comment you better know on what you
are commenting and whether your comment has any meat in
it.
Verily Pather Panchali is not set against
a swanky back-drop. It is set in a ordinary Bengali village
of days bygone. And who does not know that our villages
of the past were, in most cases, not the most affluent places
under the sun. Therefore, a realistic story of the common
people of our villages would be about poverty stricken people.
It is naturally expected, therefore, to see “through and
beyond” the poverty and not “at” the poverty. You need a
heart and a vision to be able to do that. Remember that
great scene when the little Apu, after the death of his
sister Durga, discovers that the chain that Durga was blamed
of stealing was indeed stolen by her although she always
denied having done so? Remember what great emotion baffled
us when we saw Apu throwing that chain in the pond as if
to drown the last vestige of ignominy of his sister forever?
Remember with what craft and sensitivity Ray had created
such a scene? Why only this scene? The whole film is interspersed
with treatments that have made Pather Panchali a truly great
film ever made on celluloid and earn Ray global laurels
with his maiden venture. Why? The former President of France,
Mitterand came all the way to Kolkata to confer upon Satyajit
the honour of Legion of Honour. This, because Satyajit,
then critically ill, could not go to Paris. Mitterand later
said it was an honour for him to be able to confer the honour
on Ray in his home city.
If our leaders are so naïve and illiterate
as amply demonstrated by their comments, they should pause
to think before they speak, that is, if they are capable
of thinking. |