OF
MASKS AND LAGOONS
In
Search of the Venice Carnival-1
Neeman
A Sobhan
"Shall
we go to Venice and check out the Carnevale celebrations?"
My friend suggests with a gleam in her eyes. This will be the
umpteenth time in Venezia for both of us, but not together,
and never during its famous carnival time. So, I am quite game,
though I warn her about the difficulty of securing hotel rooms
at such short notice. However, we are fortunate to get a room
to share in a hotel just 100 meters from what is referred to
as 'the drawing room of Venice': the famous St. Mark's Square,
or Piazza San Marco.
We board
the mid-morning train at Rome's terminal and a few hours later
tumble out in high spirits at Santa Lucia railway station. Just
outside its doors, the Venetian lagoon here laps the mossy steps
of the church of St. Simeone Piccolo across from where we wait
for our vaporetto (water-bus). The bells sound the four o'clock
hour and soon we are water-borne on the Grand Canal, on our
way to San Zaccaria, the landing stop for St. Mark's square.
In our enthusiasm
to savour every moment, we defy the sharp winds and stand on
the deck. It is chillier than we expected. Not even the sight
of the sea gulls swooping over the Venetian palazzos with their
elaborate Gothic and Baroque facades; the ivy-trailed balconies
(from one of which Byron may have jumped out for a swim); the
arched wooden bridge of the Accademia, and the covered and colonnaded
stone- one of the Rialto (from which I expect old Shylock to
lean out); nor the picture postcard dome of Santa Maria della
Salute in the distance, can warm us physically. Only our unflagging
enthusiasm billows forth along with our flapping woollen scarves
and the escaped tendrils of hair beneath our hoods.
Upon landing,
we pull our trolley bags across the massive stage of Piazza
San Marco and stop in front of the ornate basilica in naive
bewilderment. Somehow we had expected to be swept immediately
into the pageantry of the Carnevale di Venezia we had read so
much about and so well publicised everywhere. But where are
the crowds of revellers in masks and costumes? Where is the
spirit of carnival that we have come to witness? Like a talisman,
we still clutch in our gloved hands the brochure of all the
cultural events taking place everywhere, this time celebrating
the theme of the Orient.
We decide
to give the Venetians time to rouse themselves from the afternoon
torpor and show us their carnival colours this evening. Meantime,
with a forgiving spirit, we trot towards our hotel through the
narrow paved alleys behind St. Mark's and cross a bridge over
a picturesque canal where a timely gondola drifts towards us
complete with a smiling gondolier in his regulation black and
white striped shirt and straw hat with red ribbon. Carnival
or no carnival, the magic of Venice already touches us. Down
the steps of the bridge and at the corner of the passageway
of Calle di Remedio, the lantern of the hotel, the Locanda Remedio
beckons. We have arrived.
In the evening,
after a rest and change of clothes, we sally forth in bated
excitement waiting to be sucked into the theatricality of the
legendary Venetian Carnival masquerade. Alas, St. Mark is no
better than it was earlier. Strains of Indian fusion music from
loud speakers float agreeably like incense smoke in the velvety
dusk sky canopying the half deserted piazza. The coffee shops
with tables spilling over into the square, and which in summer
hum with clients sipping aperitifs, eating gelato and listening
to the live bands, are now bare. Only a few people drift around
the stage in the centre, or cluster near the kiosks selling
decorative masks or hot mulled wine. The air is gelid but we
stroll briskly around, expecting for some momentum, something
to happen. The musical performance that starts up is indifferent
and we drift away, deeper into the surrounding maze of alleys
whose width one can span with ones open arms, flanked by restaurants,
bars and hotels that give the impression of being miniaturised
parts of a toy city. We stroll past elegant designer stores,
and shops glittering with multi-coloured Murano glass products
and jewellery, and yet more carnival masks with their blind,
gouged eyes and the costumes hanging limply like ghosts. The
people we pass are like ghosts too, unanimated by the carnival
mood.
We pass
stony courtyards whose focal point is either a covered well,
or the lavish façade of a parish church hiding a Bellini
or a gilded mosaic altar in its heart. We linger over bridges
affording a lateral view of a black shimmering canal running
past a gorgeously decrepit mansion taken straight from the stage
set for 'The Merchant of Venice' or the Guilbert and Sullivan
musical 'The Gondoliers'. We pass the Church steps of the Chiesa
San Vidal where a Vivaldi violin concerto is being advertised.
To listen to the sublime strains of The Four Seasons in Vivaldi's
city is too good to miss and we decide to go the next day.
For now,
we head for a comforting meal in a restaurant. Coming out, we
find that the temperature has dropped further. We slip into
the courtyard of the Levi Foundation near the Accademia and
enter a cosy auditorium where a saxophone and guitar recital
is going on. We huddle near the radiator and listen to the co-mingling
of classical jazz music and the gentle snoring of the gentleman
behind us.
Soon, we
beat a hasty retreat that now takes us through a desolated Venice
of empty streets, and bridges that yawn over slumbering gondolas
heaving over the moon-glistened canals, and abandoned courtyards
where only a newspaper flutters and rustles forlornly among
the cobbled stones, and the darkened shop windows that stare
blankly giving back our own reflection. Our hurrying footsteps
echo through the freezing corridors and arcades leading to a
strangely silent St. Mark's square. At this hour of the night,
my friend and I are the only people in this world famous piazza.
The moon stirs from behind a drifting cloud and we stop momentarily
before the ornate basilica, and it is like catching a beautiful
woman unaware as she sleeps with her painted mouth slightly
open. We turn away from this rare and intimate moment and race
back to the warmth of our hotel bed.
(sobhan10@hotmail.com)